Curator, writer, and cultural strategist creating spaces where art, science, and culture meet.

Reviews and other writing

  • The Rise of Split-Screen Painting — opinion essay, Frieze, March 2025 • Read online

  • Look Again; Gender; Empire; Class; Feminism — book review, Art Monthly, April 2022 • Read online

  • Giving Bodies Back to Data — book review, Art Monthly, March 2022 • Read online

  • Dannielle Braithwaite-Shirley: She Keeps Me Damn Alive — exhibition review, Art Monthly, February 2022 • Read online

  • Investigative Aesthetics: Conflicts and Commons in the Politics of Truth — book review, Art Monthly, September 2021 • Read online

  • Conversations on Violence: An Anthology — book review, Art Monthly, May 2021

  • On the Western Edge, with Atlas. Aimée Parrott: Gaia’s Kidney — exhibition text, Broadway Gallery, November 2020

  • Benedict Drew: Trapped in a Sticky Shed with Side Chain Compression — exhibition review, Frieze, November 2019 • Read online

  • Art and Postcapitalism: Aesthetic Labour, Automation and Value Production — book review, Art Monthly, October 2019

  • Survival Strategies: Mycorrhiza and Extancy — guest-edited issue, Sluice Magazine, August 2019

  • WLTHF Meretseger or Similar Snake Headed Woman — exhibition text, Castor Projects, June 2019

  • Patricia L Boyd: Inter- — exhibition review, Art Monthly, March 2019

  • k-punk by Mark Fisher — book review, Art Monthly, December 2018

  • Love Art to Death: Interview with Magda Sawon — interview, Sluice Magazine, May 2018

  • John Akomfrah: Purple — exhibition review, Art Monthly, December 2017

  • Houses Are Really Bodies — exhibition review, thisistomorrow, May 2017

  • David Ferrando Giraut: The Accursed Stare — exhibition review, thisistomorrow, April 2017

  • Prismatic: New Paintings by Biggs and Collings — exhibition review, Artsy, March 2016

  • Robel Temesgen Brings the Protective Spirits of Ethiopia to London — exhibition review, Artsy, January 2016

  • Milla Eastwood at The Dot Project — exhibition review, Artsy, December 2015

  • Interview with Joseph Allen Shea — interview, Chapbook, November 2014

  • The High Frontier: Some Uneducated Thoughts on Space Colonies — feature essay, Chapbook, November 2014

  • On Isabel Reitemeyer — short reflection, Chapbook, June 2014

About

I am a curator, writer, and cultural strategist working across contemporary art, research, and public engagement. My practice explores how art, science, and cultural production intersect, with a particular focus on data, digital and non-digital materiality, and the ontology of space.Alongside my institutional curatorial role, I develop independent exhibitions, publications, and discursive projects that create spaces for critical exchange. As a writer, I engage with contemporary theory across art, science, and philosophy, contributing to leading art publications and research platforms. My work seeks to open structures—exhibitions, texts, broadcasts, and digital formats—as sites where culture can operate critically and impactfully.

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